Tunnels, bar counters, a cigarette caught mid-glow against a blurred skyline — the night version of the city runs on different light. Faces turn away or catch the camera sideways, half in shadow, half lit by something passing. One frame breaks into daylight, just long enough to remember what the sun looks like, before slipping back into the dark.
Tunnels, bar counters, a cigarette caught mid-glow against a blurred skyline — the night version of the city runs on different light. Faces turn away or catch the camera sideways, half in shadow, half lit by something passing. One frame breaks into daylight, just long enough to remember what the sun looks like, before slipping back into the dark.